/In loving memory of music festivals In loving memory of music festivals /In loving memory of music festivals /Latest /We Out Here festival: Jazz from the basement clubs to festival main stages / We Out Here review: Gilles Peterson creates a new kind of festival where genre doesn't matter /Boomtown review: Climate change and Extinction Rebellion drive UK's most creative festival /Latest We Out Here festival: Celebrating jazz’s journey from basement clubs to festival main stages We Out Here review: Gilles Peterson creates a new kind of festival where genre doesn’t matter /Features /In loving memory of music festivals /We Out Here festival: Celebrating jazz’s journey from basement clubs to festival main stages /We Out Here review: Gilles Peterson creates a new kind of festival where genre doesn’t matter /Reviews /Boomtown review: Climate change and Extinction Rebellion drive UK's most creative festival /Latitude festival review: a kaleidoscope of theatrical storytelling under lush treetop canopies /Noisily festival review: Tribal vibe and a truly genuine festival crowd /Y Not festival: The bands not to miss at the ultimate indie weekender /Boomtown hits the refresh button for 2019 /Latitude festival says annual theme was 'limiting' as they unveil 2019 arts lineup with 'no boundaries' /Gilles Peterson festival We Out Here takes over former Secret Garden Party site /Does Noisily festival have the strongest festival community of all? /Violet, Charing Cross Theatre, review: Strong lead performances, but Caroline, or Change does a better job with these themes /Reviews Boomtown review: Climate change and Extinction Rebellion inspire UK’s most creative festival Latitude festival review: a kaleidoscope of theatrical storytelling in a lush setting Noisily festival review: Tribal vibe and a truly genuine festival crowd Y Not festival: The bands not to miss at the ultimate indie weekender
